Big Thief

Two Hands

  • AllMusic Rating
  • User Ratings (0)
  • Your Rating
  • 彩票工彩票工具彩票官方软件2019最新彩票软件碧桂园排名上升至177位 上升幅度位居第一


    “‘好,現在咱們走吧,我沒多少時間。’ 電梯又隆隆直響地開回來接我們。我們乘電梯下去,邁步走過院于向管理處 走去。我發現,開克斯法爾伐小心謹慎地挨著房子,貼著牆根,輕手輕腳往 前走,縮著身子,好像他怕被人當場捕獲似的。我沒有別的辦法,也身下由 己地邁著同樣輕悄、謹慎的步伐跟在他身後。彩票工彩票工具 “現在您快收起這愚蠢的謊話吧!您說的這番話沒有一句是真的。您怎 麼敢把這些胡言亂語說出來給我听?”彩票官方软件 “可是這??這變化是怎麼表現出來的呢?”開克斯法爾代氣喘吁吁他 說道。我發現,康多爾再三請求也沒能使他平靜下來,他的額頭亮晶晶的布 滿了汗水。 然而不久我就從這種浪漫主義的感情中清醒過來,而且是最徹底地清醒 過來。事情是這樣的︰那天下午我們在一起玩多米諾牌戲,然後又聊了很久, 大家談得如此投機,誰也沒有注意到究意幾點鐘了。最後,到十一點半的時 候,我看了一下表,不覺大吃一驚,便匆匆忙忙地起身告辭。可是那位父親 送我到前廳去的時候,我們已經听見屋外狂風怒吼,好像有千萬頭公牛在那 兒哞哞亂叫。一場名副其實的傾盆大雨傾瀉在屋檐上。開克斯法爾伐安慰我︰ “我派車送您進城。”我推辭說︰這完全沒有必要。一想到司機單單因為我 的緣故十一點半還得再把衣服穿起來,把已經開進車庫的汽車開出來,我就 覺得很不是滋味(對別人的體貼和關心在我身上完全是新的感情,我是在這 幾個星期里剛學會的)。可是,在這樣的鬼天氣,坐在一輛座位柔軟、彈簧 很好的小轎車里,舒舒服服地飛快地馳回家去,用不著穿著一雙薄薄的漆皮 輕便長靴,渾身濕透,高一腳低一腳地在遍地泥濘的公路上跋涉半個小時, 這還是相當誘人的,所以最後我讓步了。老人不由分說,堅持冒雨送我到車 邊,給我圍上毯子。司機發動引擎,霎時間,我就冒著狂風暴雨,風馳電掣 地乘車回家。2019最新彩票软件 “對不起,”我有點粗魯地向我的伙伴們告辭,他們不勝驚愕。我便快 步走去,尾隨那條已經飄然飛過大街的裙子。因為,在我的軍營世界巧遇這 位開克斯法爾伐的外甥女,我的確喜出望外。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

    blue highlight denotes track pick