Big Thief

Two Hands

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  • 买彩票用哪个app2019那个app可以买彩票买彩票哪个软件好金龙鱼IPO:净利增速放缓 龙头产品转基因原料高达70%

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      雲瑯對死人不感興趣,直接問道︰“朱買臣怎麼樣了?”   雲瑯瞅著老婆滿腦袋的珠翠,很懷疑她的話。見宋喬一邊接受劉婆的梳妝,一邊還盯著銅鏡邊上雲瑯剛寫的荷花詩念叨個不停。买彩票用哪个app   雲瑯點點頭道︰“雲氏要的是正大光明,不做鬼蜮伎倆。”2019那个app可以买彩票   張湯搖頭道︰“不用了。”   兩人正在閑聊的熱鬧的時候,梁翁走了進來,平頌,楊沖起身施禮,梁翁笑眯眯的還禮道︰“家主說了,楊氏有喜事,自然該賀喜,雲氏車馬歷來不對寒門,這是常例不可破。”买彩票哪个软件好   雲瑯站在樓下,春風樓樓主站在樓上,目光交接,火花四射! Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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