Big Thief

Two Hands

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  • 下载2019网易彩票彩票推广方案实亿国际彩票被警察抓京东金融APP能承受的“白投”风险 你能承受吗?


      “咦?軍營里什麼時候開始教人識字了?”   最重要的,何愁有在戰報里洋洋自得的說,跟隨他出戰的軍卒以及戰死的人,獎賞,撫恤將會比照繡衣使者,且不用計算人頭就能獲得真正的軍功。下载2019网易彩票   “老兵教的!”彩票推广方案   月亮落下去了,大地一片漆黑,隊伍終于停止了前進,負責兩翼的民壯嘶啞著嗓子吼著停止前進。   雲瑯從地上撿起那半塊餅子,把沾上沙子的地方掰掉重新還給曹襄道︰“我父親要是衛青,表哥要是霍去病,我就敢說陣斬一千……”实亿国际彩票被警察抓   卻被衛良死死的抱住。 Following quickly on the heels of the spacey, artful U.F.O.F. -- by five months, to be exact -- Big Thief's fourth long-player, Two Hands, was recorded just days after its contrasting sister album. However, while U.F.O.F. was tracked at a wooded facility outside of Seattle, the band deliberately moved to the 100-plus-degree environs of a desert studio west of El Paso for Two Hands. The humid-versus-dry distinction makes for a convenient musical simile, as Two Hands commits to a crisper, more jagged sound on a rawer set of indie rock songs. Though less improvised-sounding on the whole than its predecessor, the loose Two Hands was recorded live with few overdubs by the same crew (producer Andrew Sarlo and engineer/mixer Dom Monks, though drummer James Krivchenia helped mix this time around). The album opens with "Rock and Sing," a short, lullaby-like introduction. Typically intimate lyrics from singer/songwriter Adrianne Lenker sound more stream of consciousness than composed on the track, with lines like "Hand me that cable/Plug into anything/I am unstable/Rock and sing, rock and sing." It's followed by catchier album highlight "Forgotten Eyes," which settles into the visceral, full-band folk-rock of Big Thief's earlier albums but with a distinctly immediate recording quality. (Though any such descriptions are relative in the case of this band.) Likewise living and breathing, the simmering "Not" has a slightly out-of-breath Lenker delivering near-constant lyrics alongside insistent drums, fuzzy guitar chords, and dissonant, impulsive guitar effects until the song breaks open into a sometimes-screeching jam just past the midway point. Other songs on Two Hands are memorable for different reasons, such as the quirkier guitar tones of the skittering "Two Hands," the folksy harmonies of "Replaced" (by guitarist/co-writer Buck Meek), and the stark tenderness of "Wolf" ("How you seem to follow through/On everything you yearn for"). While it's hard to talk about Two Hands in 2019 without the context of the stunning U.F.O.F., the album's quality stands on its own, offering its own grade of intimacy, sound, and feel for alternate moods.

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